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Home Europe Iberia Spain 2023, Day 1: Madrid, Day 1

Billy January 4, 2025 Leave a Comment

Spain 2023, Day 1: Madrid, Day 1

Around Madrid

I arrived in Madrid in the evening, so Day 1 was a full day.  Planning my time in Madrid was like putting pieces of a jigsaw puzzle together in order to fit everything in.  Day 1 was a perfect example of that as I hopped around Madrid, mostly south and north, rather than focusing on one geographic area.  Fortunately, getting around Madrid was very easy.

The only part of Madrid’s transportation system I had a hard time with was the Cercanías, Madrid’s commuter rail.  And for the most part, the only part of the Cercanías I had a hard time with was buying tickets from the vending machine.  When I arrived at the Madrid airport the night before, I had to give up.  There was a railway company office directly opposite the machines.  The staff there were great and sold me a ticket.  I still struggled with getting tickets the rest of my trip.  I think I finally had it figured out by the very end of the trip.

Anyway, Day 1 in Madrid.  ¡Vamos!

El Retiro Park

Does anything seem off here? This isn’t a picture of Puerta de Alcalá. It’s a picture of the material draped over Puerta de Alcalá while it was being refurbished.

Madrid isn’t just easy to get around by public transportation.  It’s a surprisingly walkable city, considering how large it is.  I was able to get to the day’s 1st 2 sites on foot.  On the way, I passed by the artfully shrouded Puerta de Alcalá.  The city gate stands in the center of Plaza de la Independencia.  This was a little confusing to me as Spain was usually thought of a a country that other countries declare independence from, not the other way around.  I asked my friend Paco about it later that night at dinner.  He explained that this celebrates when Spain won its independence from Napoleon’s forces.  This was news to me at the time.  But it’s a critical part of Spain’s history, as I mentioned in my brief history of Spain.

The Neoclassical Puerta de Alcalá was built by Italian Architect Francesco Sabatini on order of King Charles III to create something modern and monumental for the city’s old medieval walls.  It was completed in 1778.  It’s located right outside El Retiro Park.

Looking down the Paseo de las Estatuas (Statue Walk), lined with 18th-century sculptures of Spanish kings.

El Retiro Park was exclusively for the use of the Spanish monarchy until 1868, when democracy started coming to Spain and the park became public.  Together, the park and the monuments and institutions along Paseo del Prado make up a UNESCO World Heritage site called Paseo del Prado and Buen Retiro, a landscape of Arts and Sciences.  Puerta de Alcalá is also part of the site.

Sculpture of Ferdinand IV of Castile, one of the many sculptures along Paseo de las Estatuas.
The quite monumental Monument to Alfonso XII.  Alfonso was a popular 19th-century king.
The pretty Casita del Pescador (Fisherman’s House), a whimsical feature in El Retiro Park.
Springtime in El Retiro Park.
The Palacio de Cristal (Glass Palace) is a 19th-century conservatory constructed of cast-iron and glass. The Museo Nacional Centro de Arte Reina Sofía uses it to display temporary exhibitions.
I got a candid photo of Natalie Portman in El Retiro Park.
More fun that a barrel of monos!
Pretty detail on the Palacio de Velázquez (Velázquez Palace), a 19th-century exhibit hall that’s also used by the Museo Nacional Centro de Arte Reina Sofía.
More of Spanish spring in El Retiro Park.
One of El Retiro Park’s most interesting features, Fuente del Ángel Caído (Fountain of the Fallen Angel).
Fun features at the base of the fountain.
The statue at the top of the fountain was created by Spanish sculpture Ricardo Bellver in 1877. The whole fountain ensemble was created in 1885.

Usually I have a great sense of direction, but I totally lost my bearings in El Retiro Park.  It caused me a bit of distress.  I was surprised, however, to discover that Google Maps was still working on my phone even though I wasn’t connected to Wi-Fi.  I was confused by that and I still don’t understand it.  But it came in very handy on future dates.

Reina Sofía Museum

Brains!!! An untitled sculpture made of Japanese knotted paper (1965) by Swiss-Brazilian artist Mira Schendel.

The Museo Nacional Centro de Arte Reina Sofía (Queen Sofía National Museum Art Centre or Reina Sofía Museum, for short) is Spain’s national museum of 20th-century art.  It is 1 of the 3 museums that makes up Madrid’s Golden Triangle of Art.  The other 2 are the Prado Museum and the Thyssen Museum.  All 3 are located along Paseo del Prado and are part of the UNESCO site.

The Fortune Bearer (1989) by Brazilian artist José Leonilsin.

I was so excited to get to the Reina Sofía Museum, for short.  As a matter of fact, it was the #1 thing I was looking forward to on the entire trip.  Why?  Because I would finally be able to fulfill my life’s goal of seeing Picasso’s Guernica (1937).  It’s 1 of the most famous works of art of the 20th century.  He painted it as a reaction to the bombing of the town of Guernica by the forces of Hitler and Mussolini at the request of Franco during the Civil War.  It’s a massive painting at 25 1/2 feet wide and 11 1/2 feet tall.  It’s loaded with symbolism.  The policy has since changed, but when I was there, photographs of the painting were not allowed.  So please do me a favor and take a look at it and read about it here.

To Be Continued… (Latin American Puzzle) (1997) by Brazilian artist Regina Silveira.
This was a fun one! Wheat & Steak (1981) by Spanish artist Antoni Miralda.
I could’ve sworn this was a Dalí. But no. It’s Málaga favorite son, Picasso! Figures by the Sea I (1932).
Now here is a work from Dalí, the favorite son of Figueres in Catalonia. The Invisible Man (1929-1932).
This one is maybe a little more obviously a Picasso. Musical Instrument on a Table (1924).
Something much less abstract. The Gathering at the Café de Pombo (1920) by Madrid’s own José Solana.  The café depicted was an important gathering spot of Madrid’s intellectuals in the early 20th century.
Back to abstract now, or at least expressionist. Stridentist Mask (ca. 1924) by Mexican artist Germán Cueto. Stridentism was a Mexican avant-garde movement of the 1920s.
The Gathering (1929) by Catalan artist Ángeles Santos.
Cute? Moonbird (1966) by Barcelona’s Joan Miró.
An installation of political art.
Hmmm… Do You Want a Master? You Will Have It! (2012) by Basque artist and author Juan Pérez Agirregoikoa. Hmmm…
A portion of It is Big Big Business (2016), a large mural by Canadian artist Marcel Dzama and American artist Raymond Pettibon.

Las Ventas

Las Ventas, Madrid’s monumental bullring.

From the Reina Sofía, I took the metro a couple of lines north to a controversial site:  Plaza de Toros de Las Ventas.  Las Ventas for short, it’s Spain’s largest bullring, with a seating capacity of close to 24,000.  Las Ventas, completed in 1929, was built in the Neo-Mudéjar style.  Neo-Mudéjar is a type of Moorish Revival architecture.  It looks back at the architecture of the Iberian peninsula in the centuries before and after the Reconquista.

The arena inside Las Ventas.

I had reserved an audio guide tour of Las Ventas.  Perhaps stupidly, I thought it was going to be an archeological tour of the structure.  But for the most part, the audio tour glorified bullfighting.  I was actually upset by the whole thing.

Some of the detail on the façade of Las Ventas. I wish that this is what the audio tour focused on.

I was glad when I was finished with the tour.

Chueca (and Vicinity)

Casino-goers hope the Rana de la Fortuna (“Lucky Frog”) will bring them luck. The 16-foot-tall bronze sculpture was created by Spanish sculptor dEmo in 2014 when gambling was legalized in Madrid after 90 years of prohibition.

After my upsetting visit to Las Ventas, I took the metro back towards central Madrid, to the area known as Chueca.  Following the death of Franco, freedom was celebrated throughout Madrid.  What was the run-down area of Chueca became a vibrant center of shopping, dining, and drinking.  It’s now the heart of gay Madrid.

The very tall Monument to Columbus towers over Plaza de Colón.

The explorations of Christopher Columbus, of course, made Spain very, very rich and powerful.  This monument was built to celebrate the 400th anniversary of his voyage to what became known as the Americas.  And monumental it is.  The sculpture is 10 feet tall.  The base it sits on is 56 feet tall.

Julia–a 39-foot-tall sculpture by Spanish artist Jaume Plensa–was temporarily installed on Plaza de Colón in 2018. The plan is for works by various artists to be temporarily installed on the site.

See those concrete blocks in the background of the picture above?  They make up a monument created by Spanish artist Joaquín Vaquero Turcios.  The abstract, engraved blocks, installed in 1977, are part of a dedication to Columbus’s arrival in the New World on behalf of the Spanish.

The rainbow stripes on the metro symbol at Chueca station would seem to indicate that the station is one of the world’s gayest.
A stall at Mercado San Antón, near Plaza de Chueca. Usually there must be ducks. In Spain, we get pig legs (otherwise known as ham).
This giant metallic red ribbon turns a subterranean parking garage at Plaza de Pedro Zerolo into an AIDS memorial.
The ribbon is 1 element of the parking-garage-as-art created by Italian architect Teresa Sapey.

From Plaza de Pedro Zerolo, it was a very short walk back to my hotel.  I was not feeling great about the 1st day of my trip.  In addition to being upset by my visit to the bullring, I was still a little distressed by how I had totally lost my usually very good sense of direction at El Retiro Park.  But I had dinner with my friend Paco to look forward to.  And things completely turned around on Day 2.

[Factual information is primarily gathered from Wikipedia, so you know it must be true.]

Related posts:

Spain 2023, Day 6: Madrid, Day 2 Spain 2023 Food Diary, Day 1 Spain 2023, Day 2: Segovia Spain 2023, Day 3: Aranjuez
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Filed Under: Iberia Tagged With: Europe, Gay Travel, Iberia, Madrid, Spain, UNESCO

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